She hands him the hundred and before he can thank her, she decides in the middle of the transaction that she is not patient enough to wait for change. is not a significant amount of money, the casual way in which she gives it to him is indicative of her fiscal irresponsibility (Cummings). Though his service only costs 50-p., she gives him a hundred. Her first act on stage is her paying the delivery body. Until her change, Nora is very childlike and whimsical. In this dream world, Nora does not take life seriously, an attitude that led to many of the plot’s complications. Until she comes to the realization that her life is a sham, she spends her whole life in a dream world. Her whole life is a construct of societal norms and the expectations of others. In Henrik Ibsen's A Doll's House, Nora Helmer spends most of her on-stage time as a doll: a vapid, passive character with little personality of her own.
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